20201126_IRISH_12_08



Original Podcast with clickable words

https://tinyurl.com/y42vw676

Reds is a 1981 American epic historical drama film, co-written, produced, and directed by Warren Beatty, about the life and career of John Reed, the journalist and writer who chronicled the Russian Revolution in his 1919 book Ten Days That Shook the World.

Scannán drámaíochta stairiúil eipiciúil Meiriceánach 1981 is ea Reds, arna chomhscríobh, á léiriú agus arna stiúradh ag Warren Beatty, faoi shaol agus shlí bheatha John Reed, an t-iriseoir agus an scríbhneoir a rinne Réabhlóid na Rúise a chíoradh ina leabhar Ten Days That Shook the World i 1919 .

In 1915, married socialite Louise Bryant encounters the radical journalist John Reed for the first time at a lecture in Portland, Oregon, and is intrigued with his idealism.

I 1915, casann an sóisialaí pósta Louise Bryant ar an iriseoir radacach John Reed den chéad uair ag léacht i Portland, Oregon, agus tá an-spéis ag a idéalachas.

After meeting him for an interview on international politics that lasts an entire night, she realizes that writing has been her only escape from her frustrated high-society existence.

Tar éis di bualadh leis le haghaidh agallaimh ar pholaitíocht idirnáisiúnta a mhaireann oíche iomlán, tuigeann sí gurb í an scríbhneoireacht an t-aon éalú a rinne sí óna frustrachas ardchumainn.

Inspired to leave her husband, Bryant joins Reed in Greenwich Village, New York City, and becomes acquainted with the local community of activists and artists, including anarchist and author Emma Goldman and the playwright Eugene ONeill.

Spreagtha chun a fear céile a fhágáil, téann Bryant le Reed i Greenwich Village, Cathair Nua Eabhrac, agus téann sé i dtaithí ar an bpobal áitiúil gníomhaígh agus ealaíontóirí, lena n-áirítear anarchránaí agus údar Emma Goldman agus an drámadóir Eugene O’Neill.

Later, they move to Provincetown, Massachusetts, to concentrate on their writing, becoming involved in the local theatre scene.

Níos déanaí, bogann siad go Provincetown, Massachusetts, chun díriú ar a gcuid scríbhneoireachta, agus páirt a ghlacadh sa radharc amharclainne áitiúil.

Through her writing, Bryant becomes a feminist and radical in her own right.

Trína cuid scríbhneoireachta, éiríonn Bryant ina feimineach agus radacach inti féin.

Reed becomes involved in labor strikes with the “Reds” of the Communist Labor Party of America.

Bíonn Reed páirteach i stailceanna saothair le “Reds” Pháirtí Cumannach an Lucht Oibre i Meiriceá.

Obsessed with changing the world, he grows restless and heads for St.

Agus é ag breathnú ar an domhan a athrú, fásann sé go suaimhneach agus téann sé go St.

Louis to cover the 1916 Democratic Convention.

Louis chun Coinbhinsiún Daonlathach 1916 a chlúdach.

During Reeds absence, Bryant falls into a complicated affair with ONeill.

Le linn do Reed a bheith as láthair, bíonn caidreamh casta ag Bryant le O’Neill.

Upon his return, Reed discovers the affair and realizes he still loves Bryant.

Ar fhilleadh dó, faigheann Reed amach an caidreamh agus tuigeann sé go bhfuil grá aige do Bryant fós.

The two marry secretly and make a home together in Croton-on-Hudson, north of New York City, but still have conflicting desires.

Pósann an bheirt faoi rún agus déanann siad teach le chéile i Croton-on-Hudson, ó thuaidh ó Chathair Nua Eabhrac, ach tá mianta contrártha acu fós.

When Reed admits his own infidelities, Bryant takes a ship to Europe to work as a war correspondent.

Nuair a admhaíonn Reed a chuid infidelities féin, tógann Bryant long chun na hEorpa chun obair mar chomhfhreagraí cogaidh.

After a flare-up of a kidney disorder, Reed is warned to avoid excessive travel or stress, but he decides to take the same path.

Tar éis neamhord duáin a mhaolú, tugtar rabhadh do Reed taisteal nó strus iomarcach a sheachaint, ach socraíonn sé an cosán céanna a ghlacadh.

Reunited as professionals, the two find their passion rekindled as they are swept up in the fall of Russias Czarist regime and the events of the 1917 Revolution.

Agus iad athaontaithe mar ghairmithe, braitear a gcuid paisean arís agus iad á scuabadh le linn réimeas Czarist na Rúise agus imeachtaí Réabhlóid 1917.

The second part of the film takes place shortly after the publication of Ten Days that Shook the World.

Tarlaíonn an dara cuid den scannán go gairid tar éis Ten Days that Shook the World a fhoilsiú.

Inspired by the idealism of the Revolution, Reed attempts to bring the spirit of Communism to the United States, because he is disillusioned with the policies imposed upon Communist Russia by Grigory Zinoviev and the Bolsheviks.

Spreagtha ag idéalachas na Réabhlóide, déanann Reed iarracht spiorad an Chumannachais a thabhairt chuig na Stáit Aontaithe, toisc go bhfuil sé míshásta leis na beartais a chuir Grigory Zinoviev agus na Bolsheviks ar an Rúis Chumannach.

While attempting to leave Europe, he is briefly imprisoned and interrogated in Finland.

Agus é ag iarraidh an Eoraip a fhágáil, cuirtear i bpríosún go gairid é agus ceistiú san Fhionlainn é.

He returns to Russia and is reunited with Bryant at the railway station in Moscow.

Filleann sé ar an Rúis agus athaontaítear le Bryant ag an stáisiún iarnróid i Moscó.

By this point, Reed is growing progressively weaker as a result of spotted typhus.

Faoin bpointe seo, tá Reed ag fás níos laige de réir a chéile mar thoradh ar typhus chonaic.

Bryant helps nurse the ailing Reed, who eventually dies.

Cuidíonn Bryant le Reed breoite a altranas, a fhaigheann bás sa deireadh.

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