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https://tinyurl.com/y2wvcb79
Playing for Time is a 1980 CBS television film, written by Arthur Miller and based on acclaimed musician Fania Fénelons autobiography The Musicians of Auschwitz.
Scannán teilifíse de chuid CBS 1980 is ea Playing for Time, a scríobh Arthur Miller agus atá bunaithe ar dhírbheathaisnéis an cheoltóra iomráitigh Fania Fénelon The Musicians of Auschwitz.
Vanessa Redgrave stars as Fénelon.
Tá Vanessa Redgrave mar Fénelon.
Fania Fénelon, a French Jewish singer-pianist, is sent with other prisoners to the Auschwitz concentration camp in a crowded train during World War II.
Cuirtear Fania Fénelon, amhránaí-pianódóir Giúdach Francach, le príosúnaigh eile chuig campa tiúchana Auschwitz ar thraein plódaithe le linn an Dara Cogadh Domhanda.
After having their belongings and clothes taken and their heads shaved, the prisoners are processed and enter the camp.
Tar éis a gcuid giuirléidí agus éadaí a thógáil agus a gcinn a bearradh, déantar na príosúnaigh a phróiseáil agus dul isteach sa champa.
Fénelon is recognized as being a famous musician and she finds that she will be able to avoid hard manual labor and survive longer by becoming a member of the prisons female orchestra, the Womens Orchestra of Auschwitz.
Aithnítear Fénelon mar cheoltóir cáiliúil agus faigheann sí amach go mbeidh sí in ann saothair chrua láimhe a sheachaint agus maireachtáil níos faide trí bheith ina ball de cheolfhoireann ban an phríosúin, Ceolfhoireann na mBan Auschwitz.
In the process, she strikes up a close relationship with Alma Rosé, the musical groups leader, as well as the other members of the band.
Sa phróiseas, déanann sí dlúthchaidreamh le Alma Rosé, ceannaire an ghrúpa ceoil, chomh maith le baill eile an bhanna.
Realizing that the musicians get better treatment than other prisoners, Fania convinces the guards and members of the orchestra that another prisoner she had befriended, Marianne, is actually a talented singer.
Nuair a thuigeann sí go bhfaigheann na ceoltóirí cóireáil níos fearr ná príosúnaigh eile, cuireann Fania ina luí ar ghardaí agus ar bhaill na ceolfhoirne gur amhránaí cumasach í príosúnach eile a ndearna sí cairdeas léi, Marianne.
Although Marianne performs poorly at her audition, she is allowed to join the orchestra.
Cé nach n-éiríonn go maith le Marianne ag a trialach, tá cead aici a bheith páirteach sa cheolfhoireann.
Playing for the Nazis, however, robs the women of much of their dignity and most of them often questioned whether remaining alive was worth the abuse they constantly suffer.
Ag imirt do na Naitsithe, áfach, robálann na mná cuid mhaith dá ndínit agus cheistigh a bhformhór go minic an fiú an drochíde a bhíonn orthu i gcónaí a bheith beo.